The last term is the analysis of the work of Rasputin. Deadline analysis of the work of Rasputin Deadline short chapter by chapter

Old Anna lies motionless, without opening her eyes; she almost froze, but life is still glimmering. Daughters realize this by bringing a piece of a broken mirror to their lips. It fogs up, so mom is still alive. However, Varvara, one of Anna's daughters, considers it possible already to mourn, "to rebuke her", which she selflessly does first at the bedside, then at the table, "where it is more convenient." Daughter Lyusya at this time sews a mourning dress tailored back in the city. The sewing machine chirps to the beat of Varvarin's sobs.

Anna is the mother of five children, her two sons died, the first ones, born one for God, the other for a guy. Varvara came to say goodbye to her mother from the regional center, Lusya and Ilya from nearby provincial towns.

Can't wait for Anna Tanya from distant Kiev. And next to her in the village was always her son Mikhail, along with his wife and daughter. Gathering around the old woman on the morning of the day following the arrival, the children, seeing their mother revived, do not know how to react to her strange rebirth.

“Mikhail and Ilya, having brought vodka, now did not know what to do with them: everything else seemed trifles compared to this, they toiled, as if passing every minute through themselves.” Having huddled in the barn, they get drunk almost without a snack, except for the products that Mikhail Ninka's little daughter carries for them. This causes a legitimate female gay, but the first shots of vodka give the peasants a feeling of a genuine holiday. After all, the mother is alive. Ignoring the girl collecting empty and unfinished bottles, they no longer understand what thought they want to drown out this time, maybe it's fear. “The fear from the consciousness that the mother is about to die is not like all the previous fears that fall to them in life, because this fear is the worst of all, it comes from death ... It seemed that death had already noticed them all in the face and no longer will forget."

Having drunk thoroughly and feeling the next day as if they had been passed through a meat grinder, Mikhail and Ilya thoroughly get drunk the next day. “But how not to drink? - says Michael. - Laziness, the second, let even a week - it is still possible. What if you don't drink until you die? Just think, there is nothing ahead. All the same. How many ropes hold us both at work and at home, that you can’t gasp, so much you had to do and didn’t do, everything must, must, must, must, and the farther, the more you must - it’s all gone to hell. And I drank, as soon as I got free, I did everything that was necessary. And what he didn’t do, he shouldn’t have done, and he did the right thing, what he didn’t do. This does not mean that Mikhail and Ilya do not know how to work and have never known any other joy, except from drunkenness. In the village where they all once lived together, there was a common work - “friendly, inveterate, sonorous, with a dissonance of saws and axes, with a desperate hoot of fallen woods, resounding in the soul with enthusiastic anxiety with the obligatory joking with each other. Such work happens once during the firewood harvesting season - in the spring, so that they have time to dry over the summer, yellow pine logs with a thin silky skin that are pleasant to the eye are placed in neat woodpile. These Sundays are organized for themselves, one family helps another, which is still possible now. But the collective farm in the village is falling apart, people are leaving for the city, there is no one to feed and raise livestock.

Remembering her former life, the townswoman Lusya with great warmth and joy imagines her beloved horse Igrenka, on which “slap a mosquito, it will fall down”, which in the end happened: the horse died. Igren dragged a lot, but did not manage. Wandering around the village through the fields and arable land, Lucy realizes that she does not choose where she should go, that she is directed by some outsider who lives in these places and professes her power. ... It seemed that life came back, because she, Lucy, forgot something here, lost something very valuable and necessary for her, without which it is impossible ...

While the children drink and reminisce, the old woman Anna, having eaten the children's semolina porridge specially cooked for her, cheers up even more and goes out onto the porch. She is hung by a long-awaited friend Mironikha. “Ochi-mochi! Are you, old woman, alive? Mironikha says. “Why doesn’t death take you? .. I’m going to her wake, I think she chided like a kind one, but she’s still here.”

Anna grieves that Tatyana, Tanchora, as she calls her, is not among the children gathered at her bedside. Tanchora was not like any of the sisters. She stood as if between them with her special character, soft and joyful, human. So without waiting for her daughter, the old woman decides to die. “There was nothing more for her to do in this world, and there was no need to postpone death. While the guys are here, let them bury, carry out, as usual with people, so that another time they do not return to this concern. Then, you see, Tanchora will also come ... The old woman thought about death many times and knew her as herself. In recent years, they have become girlfriends, the old woman often talked to her, and death, sitting somewhere on the sidelines, listened to her reasonable whisper and sighed understandingly. They agreed that the old woman would leave at night, first fall asleep, like all people, so as not to frighten death with her eyes open, then she would gently snuggle up, remove her short worldly sleep and give her eternal rest. That's how it all comes out.

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Deadline

1970

Brief summary of the story.

Old Anna lies motionless, without opening her eyes; she almost froze, but life is still glimmering. Daughters realize this by bringing a piece of a broken mirror to their lips. It fogs up, so mom is still alive. However, Varvara, one of Anna's daughters, considers it possible to mourn, "voice her out", which she selflessly does first at the bedside, then at the table, "where it is more convenient." Daughter Lucy at this time sews a mourning dress tailored back in the city. The sewing machine chirps to the beat of Varvarin's sobs.

Can't wait for Anna Tanya from distant Kiev. And next to her in the village was always her son Mikhail, along with his wife and daughter. Having gathered around the old woman on the morning of the day following the arrival, the children, seeing their mother revived, do not know how to react to her strange rebirth.

“Mikhail and Ilya, having brought vodka, now did not know what to do with them: everything else seemed trifles compared to this, they toiled, as if passing every minute through themselves.” Having huddled in the barn, they get drunk almost without a snack, except for the products that Mikhail Ninka's little daughter carries for them. This causes legitimate female anger, but the first shots of vodka give the peasants a feeling of a genuine holiday. After all, the mother is alive. Ignoring the girl collecting empty and unfinished bottles, they no longer understand what thought they want to drown out this time, maybe it's fear. “The fear from the consciousness that the mother is about to die is not like all the previous fears that fall to them in life, because this fear is the worst of all, it comes from death ... It seemed that death had already noticed them all in the face and no longer will forget."

Having drunk thoroughly and feeling the next day as if they had been passed through a meat grinder, Mikhail and Ilya thoroughly get drunk the next day. “But how not to drink? Mikhail says. - A day, a second, even a week - it is still possible. What if you don't drink until you die? Just think, there is nothing ahead. All the same. How many ropes hold us both at work and at home, that you can’t gasp, so much you had to do and didn’t do, everything must, must, must, must, and the farther, the more you have to - it’s all gone to hell. And I drank, as soon as I got free, I did everything that was necessary. And what he didn’t do, he shouldn’t have done, and he did the right thing, what he didn’t do. This does not mean that Mikhail and Ilya do not know how to work and have never known any other joy, except from drunkenness. In the village, where they all once lived together, common work took place - “friendly, inveterate, sonorous, with a dissonance of saws and axes, with a desperate hoot of fallen woods, resounding in the soul with enthusiastic anxiety with the obligatory joking with each other. Such work happens once during the firewood harvesting season - in the spring, so that they have time to dry over the summer, yellow pine logs, pleasant to the eye, with a thin silky skin, lie down in neat woodpile. These Sundays are organized for themselves, one family helps another, which is still possible now. But the collective farm in the village is falling apart, people are leaving for the city, there is no one to feed and raise livestock.

Remembering her former life, the townswoman Lusya with great warmth and joy imagines her beloved horse Igrenka, on which “slap a mosquito, it will fall down”, which in the end happened: the horse died. Igren dragged a lot, but did not manage. Wandering around the village through the fields and arable land, Lucy realizes that she does not choose where she goes, that she is directed by some outsider who lives in these places and professes her power. ... It seemed that life came back, because she, Lucy, forgot something here, lost something very valuable and necessary for her, without which it is impossible ...

While the children are drinking and reminiscing, the old woman Anna, having eaten the children's semolina porridge specially cooked for her, cheers up even more and goes out onto the porch. She is hung by a long-awaited friend Mironikha. “Ochi-mochi! Are you, old woman, alive? Mironikha says. “Why doesn’t death take you? .. I’m going to her wake, I think she’s chiseled like a kind one, but she’s still here.”

Anna grieves that Tatyana, Tanchora, as she calls her, is not among the children gathered at her bedside. Tanchora was not like any of the sisters. She stood as if between them with her special character, soft and joyful, human. So without waiting for her daughter, the old woman decides to die. “There was nothing more for her to do in this world, and there was no need to postpone death. While the guys are here, let them bury, carry out, as usual with people, so that another time they do not return to this concern. Then, you see, Tanchora will also come ... The old woman thought about death many times and knew her as herself. In recent years, they have become friends, the old woman often talked to her, and death, having settled down somewhere on the sidelines, listened to her reasonable whisper and sighed understandingly. They agreed that the old woman would leave at night, first fall asleep, like all people, so as not to frighten death with her eyes open, then she would gently snuggle up, remove her short worldly sleep and give her eternal rest. That's how it all comes out.

Analysis of the story "Deadline".

The plot of the work is simple: the old woman Anna dies, she is waiting for the arrival of her children. In total, she has 5 children, only her son Mikhail lives with her mother, the eldest daughter Varvara lives in the district town, Lusya and Ilya live in the regional town, the youngest daughter Tanya lives far away. Old Anna, the ideal hero of the outgoing folk character, experienced: the war, the insults of her husband, the upbringing of children, but managed to save her soul: "No one will be you instead of you." She does not envy anyone, she believes that everyone has their own share of grief and joy, but she dies because she has outlived her portion of life. He is not afraid of death, but perceives it as part of fate and life: "once it was a blade of grass, but it will become a flower." She hears the gospel.

In this work, the author posed the problem of generations. Children have become different, this can be seen in their attitude towards death: they cannot take death for granted, waiting for death is occupied with rituals. Varvara teaches crying, Lucy sews a black dress, and her sons drink a box of vodka in a bathhouse, they do not feel the scale of the loss. On the first day, an illusion of family was created in the house, on the second, the children felt guilty and their memory began to awaken, nature reminds of childhood, on the third day, the family broke up, everyone left. When everyone left the house, the mother dies, one can say that she dies alone and abandoned by everyone, such is the memory and gratitude of the children. The old woman considers herself guilty that the children grew up different. They became envious, striving for material accumulation, torn off the earth, torn off their roots. Old Anna does not like the city, she believes that a woman is a state creature. She looks to see if she looks like the others, and the woman shows that she had a mother and a grandmother. Many Russian writers addressed the issue of generational continuity, for example: I. S. Turgenev in the novel “Fathers and Sons”. In my opinion, the work is still relevant today, since children should always remember and respect their parents, their home, remember their roots.

Valentin Grigoryevich Rasputin has long been recognized by the public and has earned the title of one of the best village writers. The main problem that the writer raised in his work was the destructive attitude of man to nature and the loss of moral values under the influence of civilization. Rasputin remained true to his priorities in the story "Deadline". We will consider a brief summary of this work.

Creativity Rasputin

Valentin Rasputin is a writer who knows how to convey the national spirit of his people, working within the framework of the traditional school of Russian literature. This is what he has earned recognition both at home and abroad.

Rasputin owes his love for nature and understanding of its subtle beauty to the place of his birth (the native village of the writer was located on the banks of the Angara River). The prose writer has always seen the preservation of natural resources and the spiritual morality of people as the task of his work, because the connection between man and nature is inseparable.

The themes of morality and the relationship of man with nature are reflected in the story "The Deadline". Rasputin reduced the summary of this work to the eternal problem of life and death.

Theme of the story

The fundamental theme on which the entire narrative is built was the problem of morality, or rather its modern understanding. Rasputin considered this story to be the most important in his work. The "Deadline" (a summary of the chapters can be read below) reflected the changes taking place in the thoughts and soul of modern man.

But the theme of the story is much wider and more diverse, it is not limited to one thing. Rasputin raises the following issues in the work: relationships between relatives, old age, causes of alcoholism, attitude to honor and conscience, fear of death.

Rasputin's idea

Rasputin sees the main task of his story "Deadline" in exposing the moral decline of modern society. With the advent of progress, the souls of modern people began to take possession of selfishness, heartlessness, cruelty and callousness. Rasputin wanted to draw the attention of his readers to this. Modern man has lost touch with his roots and nature, has lost the meaning of life, moral guidelines, spiritual wealth.

Anna's image

If we briefly describe the "Deadline", Rasputin Valentin appears as a writer fighting for the preservation of the human soul. And representatives of the older generation become an example of worthy people in his works.

Anna is a dying old woman, but she is not afraid of death. She lived a decent life, was a good mother, was happy, and there were sorrows in her life, but she takes them for granted. The main character is endowed with incredible moral strength, which stems from Anna's belief that a person should be responsible for the life they live.

The image of Anna is idealized by the writer, who sees in ordinary women incredible spiritual strength, the ability to be a real mother and a worthy person.

"Deadline" (Rasputin): summary

Anna is an old woman, life is barely glimmering in her, she is no longer even able to move. Daughters, in order to check if their mother is dead, bring a mirror to her face. Varvara, one of Anna's daughters, considers it possible to start mourning her dying mother, and another daughter, Lucy, is already sewing a black dress.

Anna has five children, but now she has only Varvara, Lyusya and Ilya, and her son Mikhail, who lives in the same village with her mother. The main character is waiting for the arrival of Tanya, who lives in Kiev. As soon as all the children, except for Tatyana, gather around the dying woman, she seems to be reborn, and the children immediately fall into bewilderment.

The men, not knowing what to do, go to the barn and get drunk there. Gradually, they are seized with fun - the mother is still alive. But the more they drink, the more fear seizes them - the fear of losing Anna, the fear of inevitable death: "death has already noticed everyone in the face and will not forget."

The summary of the book "Deadline" by the author Valentin Rasputin can be continued with a scene describing the next morning. Ilya and Mikhail do not feel well, and in order to get rid of this condition, they decide to get drunk. They compare drinking with gaining freedom, because in a drunken state nothing is holding them back: neither home nor work. They did not always find solace in alcohol, there were days when the collective farm existed, when the whole village worked on the preparation of firewood. Such work was to their liking and brought pleasure.

Lucy also remembers her former life. Previously, the family had a horse - Igren, whom the girl loved very much, but he died from hard overwork. Wandering around the surrounding fields, Lucy recalls that earlier she seemed to feel some direction in her life, as if someone's hand was guiding her, but in the city this feeling disappeared. Rasputin put a lot of thoughts about the former well-being into the story "Deadline". In the words of the heroes, one can hear the cry for an irrevocable life, when everyone lived in harmony with each other and nature.

Anna gradually comes to life and is already able to get up on her own and go out onto the porch. She comes to visit her friend Mironikha. But the old woman's heart is still full of sadness because Tanya won't come. Tanchora, as her own people called her, differed from her brothers and sisters in her gentle human character. But the daughter does not go, and Anna decides to die. In recent years, the old woman has come to terms with the inevitable and even made friends with death. She arranges with her to take her in a dream. That's how everything happens.

Conclusion

So, the story "The Deadline" (Rasputin), a summary of which we have given above, is a vivid illustration of the writer's work and the key to understanding his moral and spiritual ideals. The greatest value of Rasputin, therefore, is the homeland and the connection of a person with his roots.

Category: Summary

Tale (1970)

Remembering her former life, the townswoman Lusya with great warmth and joy imagines her beloved horse Igrenka, on which “slap a mosquito, it will fall down”, which in the end happened: the horse died. Igren dragged a lot, but did not manage. Wandering around the village through the fields and arable land, Lucy realizes that she does not choose where to go, that she is being guided by some outsider who lives in these places and confesses her power ... It seemed that life came back, because she, Lucy, is here she forgot something, lost something very valuable and necessary for her, without which it is impossible ...

Anna grieves that Tatyana, Tanchora, as she calls her, is not among the children gathered at her bedside. Tanchora was not like any of the sisters. She stood as if between them with her special character, soft and joyful, human. So without waiting for her daughter, the old woman decides to die. “There was nothing more for her to do in this world, and there was no need to postpone death. While the guys are here, let them bury, carry out, as usual with people, so that another time they do not return to this concern. Then, you see, Tanchora will also come ... The old woman thought about death many times and knew her as herself. In recent years, they have become friends, the old woman often talked to her, and death, sitting somewhere on the sidelines, listened to her reasonable whisper and sighed understandingly. They agreed that the old woman would leave at night, first fall asleep, like all people, so as not to frighten death with her eyes open, then she would gently snuggle up, remove her short worldly sleep and give her eternal rest. That's how it all comes out.

Old Anna lies motionless, without opening her eyes; she almost froze, but life is still glimmering. Daughters realize this by bringing a piece of a broken mirror to their lips. It fogs up, so mom is still alive. However, Varvara, one of Anna's daughters, considers it possible to mourn, "voice her out", which she selflessly does first at the bedside, then at the table, "where it is more convenient." Daughter Lucy at this time sews a mourning dress tailored back in the city. The sewing machine chirps to the beat of Varvarin's sobs.

“Mikhail and Ilya, having brought vodka, now did not know what to do with them: everything else seemed trifles compared to this, they toiled, as if passing every minute through themselves.” Having huddled in the barn, they get drunk almost without a snack, except for the products that Mikhail Ninka's little daughter carries for them. This causes legitimate female anger, but the first shots of vodka give the peasants a feeling of a genuine holiday. After all, the mother is alive. Ignoring the girl collecting empty and unfinished bottles, they no longer understand what thought they want to drown out this time, maybe it's fear. “The fear from the consciousness that the mother is about to die is not like all the previous fears that fall to them in life, because this fear is the worst of all, it comes from death ... It seemed that death had already noticed them all in the face and no longer will forget."

Having drunk thoroughly and feeling the next day as if they had been passed through a meat grinder, Mikhail and Ilya thoroughly get drunk the next day. “But how not to drink? - says Michael. - Day, second, let even a week - it is still possible. What if you don't drink until you die? Just think, there is nothing ahead. All the same. How many ropes hold us both at work and at home, that you can’t gasp, so much you had to do and didn’t do, everything must, must, must, must, and the farther, the more you must - it’s all gone to hell. And I drank, as soon as I got free, I did everything that was necessary. And what he didn’t do, he shouldn’t have done, and he did the right thing, what he didn’t do. This does not mean that Mikhail and Ilya do not know how to work and have never known any other joy, except from drunkenness. In the village where they all once lived together, there was a common work - “friendly, inveterate, sonorous, with a dissonance of saws and axes, with a desperate hoot of fallen woods, resounding in the soul with enthusiastic anxiety with the obligatory joking with each other. Such work happens once during the firewood harvesting season - in the spring, so that they have time to dry over the summer, yellow pine logs with a thin silky skin that are pleasant to the eye are placed in neat woodpile. These Sundays are organized for themselves, one family helps another, which is still possible now. But the collective farm in the village is falling apart, people are leaving for the city, there is no one to feed and raise livestock.

Remembering her former life, the townswoman Lusya with great warmth and joy imagines her beloved horse Igrenka, on which “slap a mosquito, it will fall down”, which in the end happened: the horse died. Igren dragged a lot, but did not manage. Wandering around the village through the fields and arable land, Lucy realizes that she does not choose where she goes, that she is directed by some outsider who lives in these places and professes her power. ... It seemed that life came back, because she, Lucy, forgot something here, lost something very valuable and necessary for her, without which it is impossible ...

While the children are drinking and reminiscing, the old woman Anna, having eaten the children's semolina porridge specially cooked for her, cheers up even more and goes out onto the porch. She is hung by a long-awaited friend Mironikha. “Ochi-mochi! Are you, old woman, alive? Mironikha says. “Why doesn’t death take you? .. I’m going to her wake, I think she chided like a kind one, but she’s still here.”

Anna grieves that Tatyana, Tanchora, as she calls her, is not among the children gathered at her bedside. Tanchora was not like any of the sisters. She stood as if between them with her special character, soft and joyful, human. So without waiting for her daughter, the old woman decides to die. “There was nothing more for her to do in this world, and there was no need to postpone death. While the guys are here, let them bury, carry out, as usual with people, so that another time they do not return to this concern. Then, you see, Tanchora will also come ... The old woman thought about death many times and knew her as herself. In recent years, they have become friends, the old woman often talked to her, and death, having settled down somewhere on the sidelines, listened to her reasonable whisper and sighed understandingly. They agreed that the old woman would leave at night, first fall asleep, like all people, so as not to frighten death with her eyes open, then she would gently snuggle up, remove her short worldly sleep and give her eternal rest. That's how it all comes out.